The Hillsdale Collegian
  Volume 127, Number 24                            April 29, 2004
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Arts

Modest Mouse brings 'Good News'


In magazine, radio and e-zine interviews, lead singer/guitarist Isaac Brock has traditionally declined the obligatory task of describing his band's "sound." Let me, the pompous college critic, take a shot then: Modest Mouse is something of an indie/math rock guitar band with influences such as Pavement, Built to Spill and The Cure.

In 2000, the Issaquah, Wash., band signed with Epic Records and released the acclaimed The Moon and Antarctica, a long way from the modest (ha, ha) shed Brock built behind his mother's house for the band to begin practicing in in 1994.

Good News For People Who Love Bad News, the quartet's fourth LP, is their most pop sensible record to date and possibly the best rock music release since Wilco's 2002 Yankee Hotel Foxtrot. For those who may be a bit more familiar with the band, it's like distilling the creativity of The Moon, the scope of The Lonesome Crowded West and Brock's ear for melody and irony-then garnishing the contents with Eric Judy's warm bass lines and the freshness of new members Dann Gallucci and Benjamin Weikel. Wait, I think I've gotten carried away here, but what you have is something potent and sweet-something directed, focused and layered like a movie script.

The irresistible single "Float On" has already hit MTV (gasp) with a stylish video akin to Coldplay's "Trouble," showcasing the band in handlebar mustaches and someone stealing sheep off of a farm in the background. Something like that, at least.

The particular single fits into a grouping of melodic, seaboard songs like "The World at Large," "Ocean Breathes Salty" and "One Chance" that read like letters for a departing sailor.

"The moths beat themselves to death against the lights/Adding their breeze to the summer nights."

The second grouping perfects the band's signature Southern stomp sound with additions of banjo, ukulele, fiddle and a brass band.

"Bury Me with It," "Black Cadillacs" and the fiery Dixie-tinged "Satin in a Coffin" walk the line between the Pixies and necromancy, reminding you that Modest Mouse has not forgotten how to rock. "Are you dead or are you sleepin'? / God, I sure hope you are dead," he sings on the latter.

Other standouts include "Bukowski"-an eastern European folk number on providence-and the Flaming Lips remixed "The Good Times are Killing Me."


 

 

 

 

 

 

 

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