The Hillsdale Collegian
  Volume 127, Number 16                            February 19, 2004
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Arts

Adventure, Roman culture in novel 'Pompeii'


Picture this: Mt. Vesuvius erupts with a force 100,000 times as strong as the Hiroshima atomic bomb and shoots magma upwards at Mach 1, obliterating an entire city while a hero and heroine steal away in the nick of time.

Robert Harris tries to capture this experience, but does so by leading his readers through terribly contrived characters in Pompeii. In the closing scene, his hero, Attilius, and love-interest, Corelia, escape the lava flows by jumping in a sewer drain and supposedly following it out to an escape.

To narrate the countdown just days before Vesuvius' eruption, Harris focuses on the malfunctioning Roman aqueducts located around the Bay of Naples.

Young Marcus Attilius is the new aquarian, or aqueduct engineer, in charge of the enormous Aqua Augusta. Political corruption and social scandal surround Attilius as he attempts to repair the aqueduct so as to avoid a draught.

Two thousand years later, the technicalities of the aqueducts remain fascinating. Knowing this, Harris captivatingly describes the aqueducts, their administration, and engineering in detailed layman's terms. Yet Harris' research is awkwardly joined with a substandard plot. Additionally, descriptions of the volcano and its progress were fascinating, not because of Harris' skills as a wordsmith, but because of their own natural facts and workings.

While Harris succeeds in depicting the aqueducts and other historical details, his characters are lifeless and their stories are unoriginal, without a shadow of human complexity. These flat characters frustrate and distract in their blandness. Corax plots against Attilius; Ampliatus personifies evil; Pliny writes his scientific and historical exploits to the alienation of actual human beings; Corelia is feisty and rebellious as Attilius' love interest. Harris does not release his characters into a true human form, for character traits never vary from the shade of black or white the author painted on them. These characters rarely escape from the assumed descriptive barriers.

Though an interesting exercise in translating mores between two societies, our modern one and their late Roman one, Harris struggles to put the readers in a trace of Roman culture and customs. Their mores are roughly sketched in, as though trivia about the period is added in between volcanic events. Harris tries to connect his readers by adding romance, mystery and intrigue in typical formulaic settings.

Because it is void of human characters and their reactions, Harris' attempt at creating his own sense of suspense outside of volcanic activities fell flat. Filled with historic and scientific data, a trivia-like effect kept the novel fast-paced. Yet a scantily-clad corruption story and a cheesily unbelievable romance dull down Harris' own contribution to the mounting suspense.

In many ways the strongest suspense-building element in the novel is Vesuvius itself, an anticipated source of tension, which far overshadows Harris' own original creations. The activities of the characters themselves are entertaining rabbit trails as a mildly entertaining subset of human commotion in contrast to the volcanic action.

Though he is at times an effective historian, Harris may be stronger in writing history than fiction, and certainly ought to be careful in joining the two.
Aside from the author's frustrating writing style, Pompeii has its place in popular book trash.

Amusing and mildly entertaining, Harris writes for the sort of audience whose purchasing power propels his work to the top of the bestseller lists.
Looking past the simpleton's mystery story and the expected character conflicts, Pompeii is pleasant, a nice distraction from homework. Borrow it from the library, huddle up in a cold dorm room and escape the Michigan cold with thoughts of molten lava and sun-drenched Grecian resort cities.

If you simply want to know about Mt. Vesuvius and Roman culture, then I suggest you pick up Paul Zanker's Pompeii: Public and Private Life and A. Trevor Hodge's Roman Aqueducts and Water Supply for a more informative, academic view.

 


POMPEII
BY ROBERT HARRIS

RANDOM HOUSE. 338 PAGES.

 

 

 

 

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